Tag: fairy

It’s A Midsummer Night’s Eve: Fairy Abduction, Anyone?

On By janewisemanIn fantastic fantasyLeave a comment

I write this blog post on the evening of June 24th, which is the traditional date of midsummer celebrations all across Europe, even if it’s not the date of the actual summer solstice (and misleading as well, since that moment marks the beginning of summer in the Northern hemisphere, not the middle of it). In many countries, June 24th is St. John’s Day, commemorating John the Baptist. Midsummer Night’s Eve, I suppose, was actually last night, the evening before St. John’s Day. In some countries, the day of celebration is June 25th.

A quick personal reflection: this time last year I had just returned from a month-long sojourn in Porto, Portugal. If only I had stayed another month! Porto has one of the most colorful St. John’s Day celebrations, featuring the sniffing of leeks (???), the eating of sardines (well, sure, it’s Porto, isn’t it?), and the whacking of strangers with toy hammers (???????).

With that out of the way: in my own perverse celebration of Midsummer, on to three pretty recent novels of fairy abduction. They are: A Court of Thorns and Roses, by Sarah Maas (2015), Spinning Silver, by Naomi Novik (2018), and The Cruel Prince, by Holly Black (2018). All three might be thought of as YA, but I question that categorization. A Court of Thorns and Roses started out being thrust into the YA box, but then–especially because of the graphic sexual content–it was re-classified NA (New Adult), and by now it is in a category all its own, the hugely successful engendering of a new fantasy/romance hybrid, romantasy. Spinning Silver has a very adult feel about it–not in the sexual way but in the deftly mature way the novel handles themes, characters, intricate plotting, and above all, excellent writing. I suppose The Cruel Prince really is YA. More about that to come.

A Court of Thorns and Roses, Sarah Maas (2015)

Find it HERE.

What can I say about this novel that hasn’t already been said? I did try. See my review for last year’s midsummer fairy reads HERE. This novel and its sequels spawned an entire hybrid and hugely popular genre, romantasy, so much so that it actually goes by its widely-recognized initials, ACOTAR. The sex is hot. The fairies in all their shapes and iterations are hot. The main character starts out very much an abducted damsel in distress, but in later books, she grows a spine. So if you read Book One and are put off, just go on to read Book Two. Then if you really love it, keep reading. There are a bunch of them. I have to give the novel and its siblings a lot of credit for creating an intriguing and intricately described fairyland with elaborate customs, politics, and (did I mention this?) hot sex. I got sick of it/didn’t believe in it after a while, with its bathrooms apparently by Kohler, but okay, I kept reading. This book, along with all the many books it has influenced, is a true publishing force. With many another fan, you may want to cry out to the various incredibly buff fairies of ACOTAR, Steal me next! Steal me! Steal me!

Spinning Silver, Naomi Novik (2018)

Find it HERE.

I really admire this novel. It’s one of those books based on a fairy tale, but that’s misleading. Yes, it is based on the Rumpelstiltskin folk tale collected by the Brothers Grimm, but it is also a fascinating historical novel with fantasy elements. And in addition: fairy abduction. I won’t review this one at length because I already have, in my series of blog posts on novels that are fairytale retellings. See my review HERE. It’s a wonderful book. The main character is a spunky young woman, but I really don’t associate the novel with the all too frequent trivialities of YA. (You can see I have some prejudices about YA. You may not share them! I probably have them because I’m old and grouchy.) The fairies are as morally ambiguous as they always are. Delightful read.

The Cruel Prince, Holly Black (2018)

Find it HERE.

This brings me to The Cruel Prince, a novel I hadn’t read until now. I probably put off reading it because it is, indeed, YA (and its title is a little clunky). But I enjoyed this novel immensely, even though I’m not exactly the audience for it. I say that, and then I reflect that many, many readers of YA are adults. This is a good one, folks! Black’s novel is unlike Spinning Silver and ACOTAR in one important respect. Those two novels are what’s known as “second world fantasy” or “high fantasy.” This simply means that such stories are set from the get-go in a world far, far away from ours. Although–now that I think about it–novels of fairy abduction like those might actually transition from a “second world” (the fantasy world of the novel) into a “third world,” the parallel universe of fairyland, sometimes separated by a physical border, other times by some type of mystical transition from one realm to the other.

The Cruel Prince is different. This novel is portal fantasy, “low fantasy,” where the action begins in our own world and then transports the characters to a different realm (think Harry Potter). The fairy world of The Cruel Prince seems to exist side-by-side with the real world, too, again like Harry Potter. The characters can come and go. The fairy foster-father of the main character intrudes on her childhood world to murder her human parents and abduct her and her two sisters to his estate in fairyland. He is one of the fairy gentry there. Not a spoiler–this happens in one of the first scenes of the book. Such a gory beginning and such an exotic location as fairyland don’t prevent the main character from nipping across to the real world for a visit to Target. She reads as a real teen-aged girl. A teen-aged girl living a very strange life.

I know I keep mentioning Harry Potter, but this novel is actually nothing like Harry Potter, believe me. Black’s novel is full of court intrigue of the most delicious, well-plotted kind. It has a whiff of dark academia fantasy as the main character attends a sort of high school for fairy combat and lore, and more than a hint of horror. Think about that beginning. The foster father is a type of fairy known as a “red cap,” extremely violent and dangerous, known for dipping his cap in the blood of his victims. There’s the usual torn-between-two-lovers YA trope, handled here very subtly. And there’s the push-pull between the main character’s humanity and the fairy culture she aspires to blend into–especially poignant since the fairies, famously, are so amoral and dangerous that everything in the reader may scream “get out!” Besides, after reading Mirrlees (see my earlier post), I was especially intrigued that Black includes the dangers of eating fairy fruit as a hideous reference to the worst kind of drug addiction. I was also intrigued by the main character’s protective measures of Mithridatism. (Hint: you have to read to the last stanza to find out.)

Best of all, this is a first book in a series WITHOUT A CLIFF-HANGER ENDING!!!!! If you have followed my blog, you know how much I hate these. It’s the one thing (well, okay, also bad writing) that makes me refuse to go on with a series. Black is considerate of her readers. Sure, it’s clear there’s more story to come. But she doesn’t just chop us off at the knees. I plan to read on. This book was lots of fun, and Black is a very good, very satisfying writer.

WHAT NOW? Now I will move on to my reviews of the novels short-listed for the Hugo Award 2025.

Midsummer Eve 2024! Time for some FAE FICTION

On By janewisemanIn fantastic fantasy3 Comments
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What better time to read this kind of book than on Midsummer Eve? The summer solstice has anciently and always been associated with the fair folk, the day the fairies all come out to play. This year–TODAY!– the magical day falls on June 19th. Tomorrow, June 20th, summer officially begins with the summer solstice.

Q&A:

Who are the fae? Isn’t “fae” just a fancy way to say “fairy”?

Fae does not necessarily mean fairy, not if you’re thinking of cute winged Tinkerbell creatures. The fae go by many names worldwide: the sidhe, the seelie, the fair folk, the sprites. In a book of mine, I’m using the Celtic name aos si. These magical beings inhabit the world alongside us ordinary folk but stay mostly hidden from us. They wield a powerful magic. They may have long pointy ears. They may be winged. They’re not necessarily good–some may be outright evil, outright scary. Novels about them form their own subgenre in fantasy, what I’m calling fae fantasy, but more and more, they feature largely in a newly-named hybrid genre, romantasy.

What is fae fiction?

Fiction that is set in the world of the fae, but not necessarily. A novel may have major fae characters, but these could be depicted as strangers or visitors to the world of the novel. An urban fantasy novel, for example, may feature a fae main character, but the setting is our own world.

What about Lord of the Rings? Huh? HUH? What about Legolas, and. . .

Well, okay, but Lord of the Rings is more what I’d consider “fantasy of the kinds.” Yes, there are fae. But there are also hobbits, orcs, wizards, whatever, and a big part of the fascination of this type of novel is seeing how all the kinds interact and cooperate with or oppose each other. Regretfully, I’m eliminating Lord of the Rings from this post. Convince me I’m wrong! (Not even touching all those other books Tolkien wrote. . .)

What is romantasy?

“Romantasy” is a recently-invented term to describe a combination of the fantasy genre and the romance genre, with favorite tropes from each (“the Chosen One saving the world” plus “enemies to lovers,” as an example). Often, this type of book features the fae, and often, this type of book is pretty steamy. Sometimes very steamy, all the way up to erotica.

In honor of the season, here are five novels of the fae to get you started.

Go HERE to find out more.

Sarah Maas, A Court of Thorns and Roses (2015, Bloomsbury)

I could have picked just about any novel in this series by Sarah Maas, the current doyenne of fae romantasy, but if you haven’t read any of her books yet, start with this one (she has written other books in other subgenres: urban fantasy, epic fantasy). I actually didn’t like this book much when I first read it. It was too much “damsel in distress” for me. A friend urged me to continue at least to the second book of the series. I did that, and found I liked it a lot better than the first. I ended by reading the entire series. I liked the novels. I didn’t just love them. There were strange things about them that yanked me out of the fae world. For example: the fae have cozy sweaters they could have gotten at the Gap. They have nice bathrooms that gleam with fixtures seemingly by Kohler. But these books are emphatically not urban fantasy, and there’s no hint of an explanation why such world-elements are sitting around cheek-by-jowl with enormous sexy bat creatures, swordplay, poor beautiful human girls in rags who venture bravely from their hovels to cross walls into dangerous fae magical lands, and so on and so forth. On the up side, the novels have great sex scenes (graphic ones, so be warned if you don’t like that), even as each novel in the series gets more improbable and angsty than the last. These books are enormously popular.

A NOTE: In spite of the steamy sex, the novels in this series are listed by booksellers as YA, which in these times has caused a certain amount of controversy. At least here in the U.S., school librarians have taken them–or been forced to take them–off their shelves. Have these censorious folk met any actual 21st century teenagers? those willing to be honest with the adults in their lives about what they know and how they act on what they know? Just asking. Maybe these adults think they can put the genie back into the bottle, but hellooooo???? That genie has been out since we all lived in caves.

On my scientifically developed fairyometer, I’d place these fae books by Sarah Maas HERE:

Find out more HERE.

Naomi Novik, Spinning Silver (2018, Del Rey)

This compelling book is part historical fiction, part fae fantasy, part fairytale retelling. In this novel inspired by the Rumpelstiltskin fairy tale and eastern European and Russian folk tales, as well as by real events and cultural forces in those parts of the world, the Staryk is the name the author gives the fae, and the trope of the human girl forced into proximity with these scary otherworldly creatures is the main focus. But the book is more complex than that, and beautifully written. See my review of it during Fairytale Fiction Week 2022. Excluding the classics at the end, this novel is my favorite of all the ones I’m reviewing in this post.

Consulting the fairyometer about Spinning Silver. . . .

Go HERE to find out more.

Analeigh Sbrana, Lore of the Wilds (2024, Harper Voyager)

A YA Afro-centric romantasy, casting aside the stereotype of the Eurocentric medievalistic fantasy setting. The magic system and the world-building are well-done. The novel uses the typical YA romance trope of a young woman torn between two hot young men–in this iteration of the trope, brave human woman venturing into the territory of scary but buff fae men–plus a nice male best friend. There are hints of steamy sex. Unfortunately, it crosses a line into my personal hard NO: it has a big, bad cliffhanger ending. A little cliffhanger? Okay. . . I mean, it’s part of a series. But a cliff with a drop-off this steep? As a reader, I feel snookered. I bought a novel; turns out I only received half a novel. I can only think other readers must love this stuff, because it seems like a big publishing trend. If hard cliffhanger endings don’t bother you, you might like this novel. I won’t go on with the series.

Fairyometer, please:

Go HERE for more information.

Saara El-Arifi, Faebound (Del Rey, 2024)

Another example of fae fiction that is not only non-Eurocentric, it’s non-heteronormative. It also straddles the line between epic fantasy and romantasy. It’s a good, exciting read about a brutal war pitting elves against fae, so it doesn’t serve up the usual humans vs. fae trope that rules the subgenre. There’s a lot to like here: sisterhood, friendship, power, loyalty, a main character anything but a damsel in distress, love, hate, magical creatures, magical battle methods. It’s the first book in a series, but instead of a cliffhanger ending, it wraps up nicely, and then there’s an epilogue with a bridge to the next book. In this reader’s opinion, that’s a good strategy for the first book in a series.

On the fairyometer, I’d place this novel HERE:

One place to find it: HERE.

K. M. Waller, All’s Fairy in Love and Murder (2019, self-published)

As you move through this post, you may be wondering, WHERE ARE THE CUTE FAIRIES? WHERE ARE THE FUN FAIRIES? Right here! Waller’s cozy fairy mystery is a lot of fun. The main character is a fairy princess who aspires to be a fairy godmother. She gets an assignment to solve a mystery for a human. A grouchy human with a first-responder background and responsibility for a cute niece (many romance tropes there). Shenanigans and warm cozy animal vibes ensue. I love reading a good indie author, too, especially one who has produced a well-edited book (especially since I’m an indie author myself).

The fairyometer says:

SERMONETTE DU JOUR, so feel free to skip it: Well-edited books are hard to come by. I just read one of the Shardlake mystery novels so shockingly, poorly edited (published by a major imprint, too) that I wanted to throw it across the room. Luckily, since it resided on my iPad, I resisted the impulse. As a former editor, I know editing mistakes happen. It’s not IF. . .it’s WHEN. I may have made some in this very post (*shudders a little*). But when a major publisher does this, I have to wonder how fast the book was rushed into print, and why so little oversight. To be fair, I THINK (although I do not know) that this particular book was published before everything went to e-books, and I THINK this book may have been digitized without much oversight. Still shameful, but more understandable.

Image by Dina Dee from Pixabay

And for the literary-minded, three towering fae classics

(probably more in other cultures but alas, I only read English):

William Shakespeare, A Midsummer Night’s Dream

Source: William Blake, Oberon, Tate Britain, Wikmedia Commons, in the public domain.

Well. . .some of the fairies are cute. Peaseblossom. Mustardseed. But Titania and Oberon? definitely scary fae. “Ill-met by moonlight, fair Titania.” Brrrrr. I think the actors who play them should have big, sharp, maybe steel-tipped teeth.

Edmund Spenser, The Faerie Queene

Walter Crane, Britomart viewing Artegal, illustration in an 1895–1897 edition.

Warning to would-be readers: don’t try this at home. Get a little help with it, all’s I’m saying, or you may flounder. In this magnificent Renaissance epic, the human and the fae are so entwined you often can’t tell the difference-“Arthur before he is king” is definitely human, the Faerie Queene is fae. . .or Queen Elizabeth, or the personification of England itself, or. . . But, on balance, I’d call this one for. . .

Sir Orfeo, by . . .nobody really knows

If you don’t read Middle English, Tolkien’s translation is nice. It appears to be hard to find right now. Amazon lists an expensive hardback and claims the paperback is no longer available, but you should be able to find it used. Tolkien published it with two other translations, of the Middle English poems Sir Gawain and the Green Knight and Pearl. In this medieval version of the Greek Orpheus and Eurydice myth, the fae in this amazing poetic narrative are absolutely

Disclaimer: Those fairy pix at the top of this post are AI generated. I can admit it. I WOULD say don’t be fooled, look at the fingers!!!! But who knows how many fingers the fae actually have? The fairyometer, though–all mine. Uh. . .with a little help (ok, a lot of help) from Canva.

LOOKING BACK AT THIS POST, I’d say the consensus in fae lit is “scary fae”–at least in books meant for adult/young adult readers. Happy Midsummer Eve!