2026 Philip K. Dick Award Nominee: OUTLAW PLANET

Here’s the second of my posts reviewing the nominees for the 2026 Philip K. Dick Award. A reminder–the awards are made by the Philadelphia Science Fiction Society and will be presented at Norwescon‘s annual conference on April 3, 2026.

The Nominees

Outlaw Planet by M. R. Carey (Orbit)

Find it HERE.

In this New Weird/Neo-Western, sentient animals (the Wise Peoples) have taken over the world. Other animals (understock) are just. . .animals. Kind of like how Goofy is a talking dog but he, a dog, has a dog, Pluto, who is just a dog. (Wait–I promised I wouldn’t talk about Disney. . .) Humans, known as Pugfaces, are outcasts congregating in clans resembling Native American tribes. But the rest of the characters in this far-future vision of the U.S. are right out of Owen Wister’s The Virginian, crossed with the dark and often gothic humor of the Coen brothers’ 2018 film The Ballad of Buster Scruggs–except they’re animals–with a touch of China Mieville’s The Iron Council thrown in. Thronging the pages are wolves, bears, birds, prairie dogs, you name it. Prim dog schoolmarm Elizabeth from the east heads west by stagecoach and then by katy wagon. (Wagon pulled by a katydid. A large one.) Gets held up by murderous bandit (bear). Ends up in a two-horse (er. . katydid) town at the end of the middle of nowhere. During a plot development that parallels the U.S. Civil War pretty directly (but with animals), prim Elizabeth evolves into Dog-Bitch Bess, the fearsome renegade.

Going against the usual grain of talking animal stories, there is no cutesy stuff in this novel. Nothing twee about this one. It’s not all grim and serious, though. There are jokes. For example, the mayor, a wolf, is described as having a smile “three parts avuncular to two parts blow-your-house down.” Mostly, though, the whole thing is told totally straight-faced.

Okay, I’m lying. That’s just what PART of the book is about. Interwoven with with Bess’s story, a series of field reports from a completely different set of characters inhabiting what seems to be a completely different world starts changing the narrative. It’s pretty jarring. This second narrative takes a completely different tone. The characters are completely different kinds of characters. the whole genre is completely different–hard military SF. The world the author builds is completely different. The contrast with the talking-animals-out-west story is shocking.

Yet as the novel moves forward, the reader begins to realize how ingeniously the author weaves these two disparate story lines together. I doubt many writers could bring something like this off, and Carey does it, brilliantly. I am in awe of his skill. I’m going to have to read other books of his to see if he does anything similar–he is a new author for me. That’s what I love about these lists–a regular reader like me, no particular expertise in the genre, finds many new and delightful books and authors to treasure.

In retrospect, I see clues from the very beginning of the animal narrative that point to the emergence and development of the second story line. Bess’s encounter with one of the Pug-faces at one of the mysterious dream-towers that dot the landscape is one. Another is all the chatter about the Precursors and their prized relics, especially a Precursor weapon that appears early in the book.

This was a fun book to read, and quite thought-provoking. In many ways, it is a cautionary tale. But don’t think Orwell and Animal Farm. This animal book is very different. No THIS ANIMAL = THIS KIND OF HUMAN, or not directly. Actually, I’ve always found Animal Farm kind of ham-handed (bad pun) in its satire. Carey’s novel is much subtler and cuts, in my opinion, much deeper.

NEXT UP: Casual by Koji A. Dae (Tenebrous Press)

Fairytale Fantasy Week 2026: Happy Valentine’s Day!

Here it is, the day we celebrate what we love–and the end of Fairytale Fantasy Week. This year’s theme: Robin Hood retellings.

This year was especially difficult. When I began, months ago, to search for books to feature in these posts, I had a hard time of it. I read dozens of samples of books that revealed bad writing or inappropriate subject matter. I even read all or parts of whole books leading me to feel, ultimately, I didn’t have much positive to say about them. I don’t like to trash books in this space. I’m a writer, too, and I know how hard it is to conceive of a book, write it, edit it, and then try to get it seen.

I’m not even sure why there aren’t more good Robin Hood books out there. He’s a very popular fellow! As it turns out, there are tons of Robin Hood retellings, but most of them didn’t do that magical thing for me that any novel needs to do for any reader.

At the end of the process, sometimes reading right up to my deadline, I did find some good books. Many of them (most of them?) don’t qualify as fantasy, at least not the kind of fantasy that involves magic and wizards and wands and such. But a fairytale retelling is always, in some ways, fantasy. The characters are not real. They are legend. In the end, many of the best Robin Hood retellings are, I discovered, historical fiction. I suppose people keep wanting to think of Robin as real. They keep saying, “What if he WERE real? What would he be like? What world would he inhabit?”

Here are my favorites:

Travelers Along the Way: A Robin Hood Remix, by Aminah Mae Safi (2022)–Robin Hood retelling that stands the legend on its head. Ingenious, clever writing and world-building.

Sherwood, by Meagan Spooner (2019)–Robin Hood retelling from Maid Marion’s point of view, nicely plotted and written, with a wonderful main character.

Arrow of Sherwood, Lauren Johnson (2013)–good historical novel about Robin Hood.

You may beg to differ. There are several other historical novels in the mix, all of them admirable in many ways. And if you love YA, there are several of those, too. I suppose the novels by Safi and Spooner, listed above, could be considered YA. For me, they are just good novels that I think any reader could enjoy at any age. OR I may have left your favorite Robin Hood retelling off my list entirely. BUT here’s a truth: Every reader is different. Every novel is a different experience for every reader.

Happy Valentine’s Day! Happy reading!

Fairytale Fantasy Week 2026: Everyone loves a rogue

fairy tale princess in a green hood

. . . and that’s why everyone loves Robin Hood. What is a rogue, exactly? The American Heritage Dictionary of the English Language gives this as its first definition: “An unprincipled, deceitful, and unreliable person; a scoundrel or rascal.” But it gives THIS as its second definition: “One who is playfully mischievous; a scamp.” There’s a fine line, admittedly, between “scoundrel” and “scamp,” but we all know it when we see it.

Robin Hood flouts the law. But he flouts the law with flair. And, according to those theorists of the “social bandit,” he does it because the law is wrong and unfairly administered. Robin the rogue is a hero. So folk heroes like Robin take on a life of their own, appearing over and over again in popular culture–ballads, told tales, books, later on movies, wherever an audience wants the thrill of seeing someone give the finger to overbearing authority and (this is the important takeaway) get away with it. Think Subway Sandwich Man. Standing up for the little guy, speaking truth to power with only a hoagy for weapon. We love that man, and so did the jury.

Who are some other famous rogues we love to love? And do they all have to wear hoods? No, they do not all have to wear hoods. Here are a few from folklore and fiction and history and maybe-history: Billy the Kid, Zorro, Anne Bonny, Ned Kelly, Che Guevara, Anansi the spider trickster, Loki, Jack Mary Ann, Pancho Villa, Ma Barker, Cartman, Reynard the Fox, Bonnie and Clyde, Sly Peter, the Joker, Till Eulenspiegel, Bugs Bunny, The Lone Ranger (no, really–“Who was that masked man?” Look up his origin story), Bart Simpson, Tom Sawyer, Coyote, William Wallace, Wat Tyler, Emiliano Zapata. Some of them are outlaws with a lovable or admirable or at least fascinating side. Some are vigilantes for justice. Some are transgressive figures so charming or funny we have to love them in spite of themselves, especially those who make the comfortable uncomfortable. Well. . .and then. . .some of us hate some of them.

Do you love fantasy? Do you love rogues? If you haven’t discovered it already, you will want to read this wonderful book full of great short fiction:

Rogues, ed. George R. R. Martin and Gardner Dozois (2014)

cover of the short fiction collection Rogues
Find out more HERE.

What a great collection. Some of my favorites from this volume:

  • George R. R. Martin’s introduction, which explores the concept of the rogue and especially the rogue in fantasy literature. Not all of the stories in the collection are fantasy, but a lot are, and most of them, fantasy or not, are just great. The last story in the collection is also by Martin, although it seems more an explanatory backstory for his A Song of Ice and Fire fantasy series than a true piece of short fiction. Fans of that hugely popular book series and the streaming Game of Thrones series that resulted from it will enjoy this part of the book.
  • “Tough Times All Over,” by Joe Abercrombie–clever tale set in the fascinating world of Abercrombie’s grimdark First Law series. The story is as tricky and slippery as the main character.
  • “Bent Twig,” by Joe R. Lansdale–very, very funny, and very, very violent. Crime, not fantasy.
  • “Roaring Twenties,” by Carrie Vaughan–a story masquerading as a tale of werewolves and witches when actually it’s about a very important historical event.
  • “A Year and a Day in Old Theradane,” by Scott Lynch–fascinating roguery by the author of the great Gentlemen Bastards series, enlivened by Lynch’s wonderful penchant for describing strange and marvelous drinks. Has there ever been a better rogue than Lynch’s Locke Lamora? Locke isn’t in this story, but it is a very satisfying read featuring a whole gang of rogues.
  • “Bad Brass,” by Bradley Denton–What a story! Not fantasy either, but. . . it’s the music, not the instrument.
  • “The Meaning of Love,” by Daniel Abraham. A lovely, wistful story with a great rogue as the main character. This story led me to read Abraham’s matchless Long Price Quartet series.
  • “Ill Seen in Tyre,” by Steven Saylor is a fun tribute to Fritz Leiber’s Fafhrd and the Gray Mouser. If you are nostalgic for old-style fantasy, you’ll love this one.
  • “A Cargo of Ivories,” by Garth Nix–ingeniously funny and strange.
  • “The Lightning Tree,” by Patrick Rothfuss–great story about Bast, one of the most lovable rogues of all time, from The Name of the Wind and The Wise Man’s Fear. This is the reason I bought this book in the first place–to hear more about Bast. Now you can buy this story in a slightly enhanced form as a stand-alone.
  • Other stories by Neil Gaimon, Connie Willis, and more.

NEXT UP: The last post of Fairytale Fantasy Week 2026