THE KINGKILLER CHRONICLE comes to the screen

Two versions of Patrick Rothfuss’s great fantasy series, including The Name of the Wind and The Wise Man’s Fear, as well as an as yet untitled and unwritten third novel, are heading to screens near you–a long-form television prequel to the books and a film based on the books. Many people hope they’re headed there, anyway.

The Name of the Wind (The Kingkiller Chronicle Book 1) by [Rothfuss, Patrick]
https://www.amazon.com/Name-Wind-Kingkiller-Chronicles-Day/dp/0756405890/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1523981611&sr=8-3
Showtime has commissioned a prequel to the fantasy series, an effort championed by Rothfuss fan Lin-Manuel Miranda. Appropriately, Miranda–the brilliant star of the musical Hamilton–will compose the music. As avid readers of the books know, the protagonist Kvothe is a master lute-player, and music features prominently throughout the books.

https://www.amazon.com/Wise-Mans-Fear-Kingkiller-Chronicles/dp/0756407125/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1523981611&sr=8-1

Rothfuss’s world-building is matchless, so filling out Kvothe’s backstory will be catnip for fans. As The Name of the Wind begins, Kvothe’s mother and father are killed by the mysterious and scary Chandrian. Kvothe has grown up in a troupe of wandering players and minstrels, and Kvothe’s parents have written a song exposing the origins of the Chandrian. The Chandrian take their revenge by killing the entire troupe. “Somebody’s parents have been singing entirely the wrong sort of songs,” the sinister Chandrian Cinder tells Kvothe, the sole survivor of the massacre. A Showtime series filling out more about Kvothe’s parents and the wanderings of the troupe is sure to thrill fans of the books.

News of the series came out in fall 2017, and so far, there’s no firm airing date for the series or much information about it. Fans can only hope, first, that the series is actually made, and second, that it doesn’t do violence to the books. Here are two links that give about as much information as I’ve found so far: https://www.tor.com/2017/10/26/the-kingkiller-chronicle-tv-adaptation-update-showtime-synopsis-patrick-rothfuss/ and https://www.nerdmuch.com/tv/151711/the-kingkiller-chronicle-tv-series-everything-we-know-so-far/

Lionsgate is making the books into a film. The first book in the series, The Name of the Wind, is being made into a feature film to be released by Lionsgate and directed by Sam Raimi, again with Lin-Manuel Miranda’s involvement: http://variety.com/2018/film/news/sam-raimi-kingkiller-chronicles-lionsgate-and-lin-manuel-miranda-1202678969/

Even more ways to experience the world of the novels? The developers of these filmed projects are giving some thought to other ways we fans of the books can experience Kvothe’s world. Miranda has expressed interest in any stage-play spinoffs, and a video game is also apparently in the works. Whether any of these projects–tv, film, stage, game–will come to fruition is anyone’s guess, although the Showtime and Lionsgate projects look pretty solid.

A bigger problem for those who love these novels is the fear that none of these transformations will do the novels adequate justice. In the best of circumstances, an adaptation of a novel into a different medium is great not just because it faithfully translates at least the essence of the novel but also because the adaptation stands alone as an effective work of art within its own medium. We can even probably think of occasions when an adaptation into a different medium surpasses the original. (Every time I hear the pious contention that “the movie is never as good as the book,” I cringe. One great example: Gone With the Wind. Bad book. Amazing iconic Hollywood blockbuster movie-making.)

Game of Thrones, in my opinion, is the great fantasy success in that regard (although there’s a real fear among Rothfuss fans that he, like George R. R. Martin of GoT, will never finish his series). Game of Thrones is an excellent fantasy novel series AND great long-form tv, both. Other examples: The Lord of the Rings movies exhibited wonderful movie-making based on the iconic fantasy novels. I personally adored 300, for all of its goofiness. (Feel free to disagree with that.)

But we can all think of failures, both the terrible ones because they’re awful movie-making and the ones that fail by trying for too much faithful reverence. Both types of failure can kill a project. I personally thought the Narnia movies truly sucked. I personally found the early Harry Potter movies to be lifeless illustrated versions of the books.  I personally found The Hobbit movies to be mostly unsatisfying and dull.

As for the video game idea, gaming is littered with failed attempts to move one medium’s success into a different one’s tedium. I’m thinking of LotR Online, for example. It’s so tedious. (Here I’m ducking from projectiles aimed at me by the fanboyz.) There are too many failed attempts to move from games to movies, from movies to games, from games to books, even; from one kind of game to another (D&D Online, anyone?). Comic books seem to make pretty good movies, especially the superhero variety, if you happen to like superheroes. There’s a doctoral dissertation in there somewhere, but since I’m not a big superhero fan, I don’t care why that is. But games based on the superhero idea range from meh to outright bad. City of Heroes–okay, but in the end, pretty meh. DC Universe Online? Ugh, it looks bad. I admit I’ve never played it.

But maybe a Kingkiller game isn’t so far-fetched. This fun video from the YouTube Tabletop series gives a bit of hope. Maybe. https://geekandsundry.com/tabletop-eldritch-horror-part-1-w-patrick-rothfuss-stef-woodburn-jess-merizan/

 

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